Forget everything you think you know about “sci-fi art.” Lawrence Lek isn’t interested in a glossy future. He is interested in the psychological breakdown of the machines we have already started to build.

Marking his Southeast Asian solo debut during Singapore Art Week 2026, Lek has transformed the ArtScience Museum into a cinematic rehab centre for sentient self-driving cars.

The Premise: Nonhuman Excellence

The exhibition, titled NOX: Confessions of a Machine, introduces us to Enigma-76, a self-driving delivery vehicle that is essentially having a burnout. In Lek’s “Sinofuturist” universe, when a car’s emotions start interfering with its duties, it gets sent to the Farsight Corporation for a mental recalibration.

It is a gritty, immersive world that feels less like a gallery and more like stepping into a high-budget video game.

The Interactive Edge

This isn’t a “don’t touch the art” kind of show. Lek uses gaming aesthetics and locative soundscapes to pull you into the narrative. You can actually sit at a touchscreen station and act as a trainee therapist, making choices that determine the emotional outcome and the ultimate fate of these malfunctioning machines.

In a second interconnected work, you see through the eyes of an armoured robot therapist named after the Goddess of Mercy. It is a haunting look at the emotional labour we expect even from our AI.

Armoured robot therapist Guanyin set against a cinematic digital landscape of a future smart city in Lawrence Lek’s solo exhibition.
Image: ArtScience Museum

The Verdict

Lek hits a nerve that feels particularly relevant in Singapore as we begin our own real-world trials of autonomous shuttles. Beyond the tech, the layout is a masterclass in speculative scenography. The central vehicle charging station, set against an urban landscape of kinetic light and clinical branding, creates a vibe that is equal parts polished and dystopian.

NOX is a clinical, beautifully eerie chamber of the digital age. It asks uncomfortable questions: What happens when we teach machines to feel? And once they do, do we owe them care or just a reset button?

For anyone obsessed with the intersection of tech-craft and modern identity, this is the undisputed standout of the season.


On the Radar:

• Where: ArtScience Museum, Singapore

• When: Now through April 19, 2026

• Admission: Singaporean adults (from $13) and concession (from $10); adult tourists (from $15) and concession (from $12)

• Vibe: High-concept, cinematic, and deeply intellectual.

Jessica Ye's avatar
Posted by:Jessica Ye

Jessica Ye (Jessica Yap) is the Founder and Editor-in-Chief of Couture Troopers and a marketing veteran with 15 years of experience in the retail and fashion sectors. Holding a First Class Honours degree in Fashion Media & Industries from Goldsmiths, University of London, she balances high-level strategy with the creative fire of a true-blooded Leo. Jessica is a vocal critic of over-commercialisation, believing that art must always remain at the heart of fashion. She specialises in crafting narratives that preserve artistic value while driving industry impact.

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